We spoke with Steve Von Till about his musical beginnings, what it was like being invited to join Neurosis and founding Neurot Recordings, as well as how his love for nature and ancient mythology runs through everything he does artistically.

We spoke with Marthe about her beginnings in music, her influences in and outside of music, and the creative and recording process behind her debut record, Further In Evil.

We spoke with guitarist Jon Howell about what led to the creation of Ex Everything, the creative and recording process behind their debut record, “Slow Change Will Pull Us Apart”, and what the future holds for the band going forward.

We spoke with Mari Boine about her musical origins, the creative and recording process behind her collaborative record with Bugge Wesseltoft, “Amame”, and being a part of the eccletic roster of ByNorse.

We spoke with Shane Mehling about the creation of Great Falls, the creative and recording process behind their fourth and latest record, “Objects Without Pain”, and the platonic love that exists within the band.

We spoke with Death Valley Girls’ songwriting mastermind Bonnie Bloomgarden about the founding of the band, creating their latest record, “Islands In The Sky”, almost entirely in the studio, and the band’s upcoming performance at SonicBlast.

As A Place To Bury Strangers are closer to making their return to Portugal, we spoke with Oliver Ackermann about the founding of the band, the creative and recording process behind “See Through You”, and the band’s upcoming performance at SonicBlast.

We spoke with Luis Vasquez about his humble beginnings in music, the creation of The Soft Moon and the journey of self-discovery it has been since then, as well as his upcoming performance at Hellfest.

We spoke with João Vairinhos and delved a little bit deeper into what led to the creation of NECRØ, the influences that drove the project both in and outside of music, and what the future holds going forward.

We spoke with Klara Andersson about her musical upbringing, the origins of Fågelle and how the creation of her sophomore record, “Den svenska vreden”, and a move to Germany helped her in dealing with loneliness, anger and frustration.